Search Results for: meditation

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

Meditating Machinery: Mechanical Buddhas and Other Religious Icons by Wang Zi Won religion machines kinetic sculpture

South Korean artist Wang Zi Won constructs intricate mechanical figures of Buddha and bodhisattva that appear to be lost in meditation or enlightenment. The electrically-powered figures are fused with numerous mechanical components which at times resemble halos or lotus flowers and simultaneously move the humanoid figures through repetitive motions (see videos above). The artist says his intention is to examine a future where humans and technology merge, something he views in a particularly positive light. Via Shin Seung-ho of Dukwon Gallery:

The artist predicts that in the future humans will evolve and adapt themselves to enhanced science and technology just as men and animals in the past evolved to adapt themselves to their natural circumstances. He sees this future as our destiny, not as a negative, gloomy dystopia. His work is thus based on neither utopia not dystopia. Wang represents the relations between man, technology and science through the bodies of cyborgs.

The artist considers it important to escape from human bondage in order to achieve harmony between men and machines. He thinks this harmony can be achieved through the process of religious practices and spiritual enlightenment. In Buddhism, the Bodhisattva of Compassion helps people attain enlightenment, Arhat is a spiritual practitioner of asceticism, and Buddha is a being who reaches the highest level of enlightenment. Through them, the artist intends to follow the path of enlightenment, breaking away from anxiety, agony, and pain. The artist has no intention to emphasize religious connotations through these Buddhist icons but to reflect his own or our own existence between utopia and dystopia.

While it may be difficult to grapple with the artists intentions I find the figures and their motions to be really quite beautiful and indeed meditative, somewhat reminiscent of the robots used in Chris Cunningham’s amazing All is Full of Love video for Bjork. If you have some patience (the site loads quite slowly) there are many more examples of Wang’s work and several more videos over on his blog and you can learn more at Art Nova and Hanmi Gallery.

By Christopher on       

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

The Balanced Rock Sculptures of Michael Grab Rely Solely on Gravity rocks land art balance

Land artist Michael Grab creates astonishing towers and orbs of balanced rocks using little more than patience and an astonishing sense of balance. Grab says the art of stone balancing has been practiced by various cultures around the world for centuries and that he personally finds the process of balancing to be therapeutic and meditative.

Over the past few years of practicing rock balance, simple curiosity has evolved into therapeutic ritual, ultimately nurturing meditative presence, mental well-being, and artistry of design. Alongside the art, setting rocks into balance has also become a way of showing appreciation, offering thanksgiving, and inducing meditation. Through manipulation of gravitational threads, the ancient stones become a poetic dance of form and energy, birth and death, perfection and imperfection.

Almost all of the works you see here were completed this fall in locations around Boulder, Colorado. You can see much more in his portfolio as well as several videos of him working over on YouTube.

By Christopher on       

Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang

Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
East Wind from Old Palace. 180 x 360cm. Three panel, buttons, beads, and pins. 2012.

Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Healing Blossoms. 170 x 826 cm. Buttons, beads, pins on wooden panel.

Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Murals Created with Thousands of Buttons, Pins and Beads by Ran Hwang sculpture multiples buttons
Empty Me. 210 x 360cm. Buttons, beads, pins. 2010.

Part mural, part sculpture, with elements of tapestry and painting, it’s almost impossible to define the work of Ran Hwang who uses thousands of components including pins, buttons and beads to create these enormous wall-sized images. The works require numerous repetitive motions and Hwang compares her process to a monk achieving zen. Via her artist statement:

I create large icons such as a Buddha or a traditional vase, using materials from the fashion industry. The process of building large installations are time consuming and repetitive and it requires manual effort which provides a form of self-meditation. I hammer thousands of pins into a wall like a monk who, facing the wall, practices Zen.

Starting July 26th Hwang will be exhibiting with Leila Heller Gallery at Art Southampton, featuring one of her newest works, Healing Blossoms (above). The 27-foot long piece is made from paper buttons, beads and sequins that have been gently hammered into 7 large panels. All imagery courtesy Leila Heller Gallery, and if you enjoyed this also see the work of Laurel Roth.

By Christopher on